Edward VI (1547 - 1553) Read about Edward VI

Hammered Gold

WAu-9161: Edward VI - Spectacular Portrait - Hammered Gold Half Sovereign. Initial mark Martlet: 1550. Tower II (London) mint, second period, January 1549 to April 1550 so this coin very much the latter part of the second period. Crowned bust - the earlier issue had Edward without a crown. S.R.2438. Sold 13 years ago for £5,626 - see ticket here. An impressive coin with much eye-appeal. Very rare. £7,895 RESERVED (S.H.25-5-26)

Provenance:

ex St James Auction, £2012, £5,625

ex HistoryInCoins, 2015, £6,500

ex Scottish collection

Hammered Silver

Shillings

Second Debased Issue

WTH-9232: An Absolutely Outstanding Edward VI Hammered Silver Shilling. Second period (January 1549 to April 1550), second debased issue. Initial mark Y. Tower (London) mint. Dated 1550. The Tim Owen ticket points out that this coin has an "Unusual Portrait", and indeed it does as it is not listed in Coins of England (formerly Spink, now S.R.). They list Busts 1 and 2 (along with the Durham House bust) for the first issue and busts 3, 4 and 5 for the second issue. This coin is none of those, instead attributed as "Bispham bust 5". Please note, S.R. bust 5 is not this coin, instead, to utterly confuse us all, S.R. bust 5 is Bispham but 4! Bispham bust 5, this coin, has hair swept forward from behind the ear together with a fastener or brooch just above the shoulder. All that aside, this coin is a superb example of what is virtually always a horrible issue, not least as a result of the debased nature of the silver content, inherited from Edward's father, Henry VIII. Choice and rare. £1,395

Provenance:

ex Tim Owen

WTH-9139: Edward VI Hammered Silver Shilling. Second debased issue, initial mark Arrow, dated 1549. Tower mint. S.R. 2466. Tall narrow bust with a small crown. Second period, bust 5. A ridiculously large W in EDWARD with a very small RD to boot. Excellent grade for issue. Well centre, full flan and good edges. £650

Provenance:

Ex Tim Owen

Third "Fine Silver" Issue

WTH-7950: Edward VI Hammered Fine Silver Issue Shilling. Initial mark Tun - the more interesting variety with x4 pellets surrounding the obverse im and none surrounding the reverse. Tower (London) mint, 1551-53, following on for the debased issues of earlier Edward VI and later Henry VIII. Indeed, this Third Period Fine Silver issue was literally the finest ever issued under the Tudors, which is impressive considering the 1551 Third Base Issue was probably the very worst under the Tudors! S.R. 2482. A pleasing coin with excellent eye-appeal, being altogether better than the majority of examples you come across. £465

Sixpences

WTH-9132: 1551 Edward VI Hammered Silver Sixpence - an Extraordinary example! Fine silver issue of 1551-3, initial mark y, London mint, S.R. 2483. A pleasing example of this attractive and sought after issue which is rarer than the shillings and, just like the shillings, often presents as problematic - damaged, bent, worn etc. Some damage is undoubtedly down to a very sceptical public in the early 1550's who had lived through 50+ years of debased coinage thanks to Henry VIII. They would be disbelieving of these fine silver coins and so would bite them and bend them to test they weren't fakes. This coin is centrally pierced, strongly implying that it was done so under the governance of Sir Isaac Newton himself, in 1696 at the Great Re-Coinage. Hammered coinage in England was phased out at the restoration of the monarchy in 1660 and was officially ended in 1662 with the introduction of Charles II milled silver coins. Whilst no more hammered coins were minted post 1662, the old hammered coinage was still legal tender; hammered and milled running side by side, although much of it was battered and bruised through shear over-usage, not to mention seriously underweight through clipping. In 1696, although hammered coinage was still popular with the public, it was decided that enough was enough – all circulating hammered coinage was to be assessed by the mint. Anything substandard was to be exchanged for the new milled coinage and anything in high enough grade and, most importantly, of the correct weight, was allowed to circulate for a few years more. This latter cohort was identified as “of still legal tender” by the addition of a central punch or piercing administered by the mint. The mint employee who processed this coin back in 1696 somehow managed to make the piercing go directly through the eye of Edward! You could argue that he was perhaps mischievous and bored and did it intentionally, but the punch has actually gone through the reverse side (that being the larger hole) so he literally had no sight of the obverse king's eye... forgive the pun! What an amazing coincidence.

There were problems, as one would perhaps expect with such a huge national undertaking:

1. Due to the mint’s promise of a like-for-like value replacement, regardless of condition, many enterprising individuals, before submitting for exchange, clipped their hammered coinage further still, retaining the silver shavings to be utilised for effectively what was free money later on.

2. As a direct result of this extra clipping, together with the high cost of minting the new milled coinage, the government lost a great deal of money – nearly £3 million.

3. The timing was appalling – the new milled money was not ready in time for an exchange. Riots threatened and there was great public unrest until the government bridged the period by issuing paper notes.

4. The infamous Window Tax, of which we’re all still cognisant of today, was introduced specifically to pay for this near £3 million financial black hole. There have been some bad government taxes over the years, but a window tax?!

Bearing in mind there were not actually that many hammered coins that passed the grade in 1696 (the process was actually 1696-99), together with the fact that post 1699, whenever a pierced hammered coin passed through the hands of officialdom, it would inevitably be withdrawn, it’s perhaps easy to see why these coins are rare. You really don’t see than many of them. Georgian and Victorian gentlemen collectors would not be interested in pierced coins (for goodness’ sake, these were the people who mutilated the Cromwell crowns by smoothing over the infamous die flaw because they couldn’t live with them as they were!!), which is another reason why these extremely interesting coins are so rare. Find another like this!! £550

Groats

WTH-8158: Edward VI (in the name of Henry VIII) Hammered Billon Silver Groat. Henry VIII posthumous issue, 1547-51. Initial mark Grapple, Tower (London) mint, S.R. 2403. Bust 4. Billon issue of .333 silver. Even though this coin was struck very early on in this period, it is still officially an Edward VI coin. Edward was but nine years old when he claimed the throne in 1547. The images really do this coin no favours whatsoever - it is a better coin in the hand. £475

Provenance:

ex Alan Cherry (his ticket)

Pennies

WTH-7645: Edward VI Tudor Hammered Silver Penny. Third period, “very base issue” of 1551, in fact so much so that coinage from this debased issue circulated at 50% face value. York mint. S.R. 2475. Wavy flan but in terms of detail only, marginally better than the S.R. plate coin. £225

WTH-8097: 1551 Edward VI Hammered Billon Silver Penny. Initial mark Mullet. York mint. S.R. 2475. Above average for issue. £195

Other

WJC-9349: (17) Edward VI : 1616-38 Silver Simon de Passe Token. Machine-pressed silver tokens or counters depicting the monarchs of England, issued in sets (thought to be thirty six), composed either of pieces of different monarchs or repetitions of the same type. Thought to be primarily used as markers or counters "for reckoning and for play". The dies were very cleverly sunk to give the impression of a hand-engraved silver token. Some of these counters were executed early in the 1616-38 period by Nicholas Hilliard, jeweller; goldsmith and engraver to Elizabeth 1st and afterwards to James 1st. In 1617, Hilliard received a patent granting him the monopoly for twelve years of all the engraved portraits of the King and the Royal Family. He subsequently sold licences to other engravers to execute these counters, one of which was to Simon de Passe and his brother, both of whom excelled in the art of engraving. This sub-licence to the de Passe brothers was issued late in the reign of James 1st. Collectively, these tokens are all termed De Passe tokens for convenience. £175

Provenance:

From a collection put together over a great many years; dispersed by Spink.

WJC-9350: (18) Edward VI : 1616-38 Silver Simon de Passe Token. Machine-pressed silver tokens or counters depicting the monarchs of England, issued in sets (thought to be thirty six), composed either of pieces of different monarchs or repetitions of the same type. Thought to be primarily used as markers or counters "for reckoning and for play". The dies were very cleverly sunk to give the impression of a hand-engraved silver token. Some of these counters were executed early in the 1616-38 period by Nicholas Hilliard, jeweller; goldsmith and engraver to Elizabeth 1st and afterwards to James 1st. In 1617, Hilliard received a patent granting him the monopoly for twelve years of all the engraved portraits of the King and the Royal Family. He subsequently sold licences to other engravers to execute these counters, one of which was to Simon de Passe and his brother, both of whom excelled in the art of engraving. This sub-licence to the de Passe brothers was issued late in the reign of James 1st. Collectively, these tokens are all termed De Passe tokens for convenience. £175

Provenance:

From a collection put together over a great many years; dispersed by Spink.